During the first two weeks of his residency at StudioWorks in Eastport Maine, Miller scoured the coastlines of Passamaquoddy and Cobscook bay foraging for and collecting nylon rope discarded and washed up onto the shoreline.

During the first two weeks of his residency at StudioWorks in Eastport Maine, Miller scoured the coastlines of Passamaquoddy and Cobscook bay foraging for and collecting nylon rope discarded and washed up onto the shoreline.

B2BE940C-2C4E-4AEA-9865-6AB07CC5B239.jpg
 BJM was interested in repurposing this beautiful collected trash as a medium for art. It became a treasure hunt, dancing with the tide, searching the shores and under docks; pulling up all sizes and colors of rope out of rocks and water. He then bro

BJM was interested in repurposing this beautiful collected trash as a medium for art. It became a treasure hunt, dancing with the tide, searching the shores and under docks; pulling up all sizes and colors of rope out of rocks and water. He then brought his substantial haul into the Free Will Church to begin the task of untangling and sorting.

F963C3D8-793E-418E-A506-50000615F9E1.jpeg
1FF2A93B-CF06-44FE-9B50-AF34F9BA33AF.jpeg
FDEE7D67-0B43-4EDC-9BA1-C066AAECC7BF.jpeg
BD9192A4-3F4E-444A-A6E2-6BD500B6BF9F.jpeg

319A7B64-640E-4909-A356-B61174DF94B8.jpeg
 In the 1940s, DuPont and other plastic companies pushed for and began to replace hemp as the principal material for rope. Unfortunately nylon, unlike hemp, does not easily decompose, and its abundance, along with other plastics in the ocean, is very

In the 1940s, DuPont and other plastic companies pushed for and began to replace hemp as the principal material for rope. Unfortunately nylon, unlike hemp, does not easily decompose, and its abundance, along with other plastics in the ocean, is very destructive to marine ecosystems.

Sperm Whale images taken by SMASS 2019

BDDEBE38-17B4-4BAF-A94B-7BC8E388CBF7.jpeg
 Now joined by collaborator Nathan Weick, they began to envision and prepare for an installation in the church. They worked with alchemical symbols and used the rope to sketch compositions into the vast space of the church. They used nautical knots a

Now joined by collaborator Nathan Weick, they began to envision and prepare for an installation in the church. They worked with alchemical symbols and used the rope to sketch compositions into the vast space of the church. They used nautical knots and fishing line (which disappears in the right light), to design three dimensional geometric forms suspended throughout the church.

  Working within the framework of the church’s space: the vaulted ceilings, pillars and columns, and inspired by stained glass windows and their designs and colors, five principle geometric forms were constructed.

Working within the framework of the church’s space: the vaulted ceilings, pillars and columns, and inspired by stained glass windows and their designs and colors, five principle geometric forms were constructed.

834860DD-88B6-4D52-AF05-96287F41E07A.jpeg
 Miller and Weick kept a daily ritual of drawing, collecting and bringing in found objects to complete the installation. They utilized the the church space by meditating, doing breath-work, as well as listening to or making music during the creative

Miller and Weick kept a daily ritual of drawing, collecting and bringing in found objects to complete the installation. They utilized the the church space by meditating, doing breath-work, as well as listening to or making music during the creative process. The church doors were open and passer-byes wondered in to hangout and engage with the work.

BDAC44C8-A886-44DF-ACE0-D418E7903D6E.jpeg
624E8FE0-AF2A-4290-A7D7-08F73E533F29.jpeg
C11F7A7A-FC57-4F9C-BBEE-24DC88D91724.jpeg
3684A80C-F127-4A91-A22A-3F9114731EA9.jpeg
IMG_5124.jpg
FB1467FE-D1E9-4B29-A253-C895BE74372B.jpeg
5BEF612D-073C-498C-806F-503526E26477.jpeg
CC4B15A0-B837-45D7-8AE6-4673FAE698E8.jpeg
B46FB090-A69A-481C-9849-FA8A3928F227.jpeg
01BB2CFB-EAD9-400F-9E3B-DEA47FE9AAEA.jpeg

 Employing the great acoustics, light and presence of the church, the work culminated in an opening night with live music as well as collaborative readings including a list read aloud that was inspired by our time in Eastport. The list was a collabor

Employing the great acoustics, light and presence of the church, the work culminated in an opening night with live music as well as collaborative readings including a list read aloud that was inspired by our time in Eastport. The list was a collaboration with BJM, Nathan Weick, Dana Lynn Harper and Bethany Springer, who also designed the list composition below. Local musician Bill Johnson performed two songs related to tides.

BSpringer_Tides_Back_New1.jpg
BSpringer_Tides_Back_New2.jpg
 The residency and event were a celebration of the Free Will Church’s 200th year anniversary. Miller and Weick thought of their work as a kind of time capsule greeting to the church for hopefully, its future, 300th anniversary.

The residency and event were a celebration of the Free Will Church’s 200th year anniversary. Miller and Weick thought of their work as a kind of time capsule greeting to the church for hopefully, its future, 300th anniversary.

 During the first two weeks of his residency at StudioWorks in Eastport Maine, Miller scoured the coastlines of Passamaquoddy and Cobscook bay foraging for and collecting nylon rope discarded and washed up onto the shoreline.
B2BE940C-2C4E-4AEA-9865-6AB07CC5B239.jpg
 BJM was interested in repurposing this beautiful collected trash as a medium for art. It became a treasure hunt, dancing with the tide, searching the shores and under docks; pulling up all sizes and colors of rope out of rocks and water. He then bro
F963C3D8-793E-418E-A506-50000615F9E1.jpeg
1FF2A93B-CF06-44FE-9B50-AF34F9BA33AF.jpeg
FDEE7D67-0B43-4EDC-9BA1-C066AAECC7BF.jpeg
BD9192A4-3F4E-444A-A6E2-6BD500B6BF9F.jpeg
319A7B64-640E-4909-A356-B61174DF94B8.jpeg
 In the 1940s, DuPont and other plastic companies pushed for and began to replace hemp as the principal material for rope. Unfortunately nylon, unlike hemp, does not easily decompose, and its abundance, along with other plastics in the ocean, is very
BDDEBE38-17B4-4BAF-A94B-7BC8E388CBF7.jpeg
 Now joined by collaborator Nathan Weick, they began to envision and prepare for an installation in the church. They worked with alchemical symbols and used the rope to sketch compositions into the vast space of the church. They used nautical knots a
  Working within the framework of the church’s space: the vaulted ceilings, pillars and columns, and inspired by stained glass windows and their designs and colors, five principle geometric forms were constructed.
834860DD-88B6-4D52-AF05-96287F41E07A.jpeg
 Miller and Weick kept a daily ritual of drawing, collecting and bringing in found objects to complete the installation. They utilized the the church space by meditating, doing breath-work, as well as listening to or making music during the creative
BDAC44C8-A886-44DF-ACE0-D418E7903D6E.jpeg
624E8FE0-AF2A-4290-A7D7-08F73E533F29.jpeg
C11F7A7A-FC57-4F9C-BBEE-24DC88D91724.jpeg
3684A80C-F127-4A91-A22A-3F9114731EA9.jpeg
IMG_5124.jpg
FB1467FE-D1E9-4B29-A253-C895BE74372B.jpeg
5BEF612D-073C-498C-806F-503526E26477.jpeg
CC4B15A0-B837-45D7-8AE6-4673FAE698E8.jpeg
B46FB090-A69A-481C-9849-FA8A3928F227.jpeg
01BB2CFB-EAD9-400F-9E3B-DEA47FE9AAEA.jpeg
 Employing the great acoustics, light and presence of the church, the work culminated in an opening night with live music as well as collaborative readings including a list read aloud that was inspired by our time in Eastport. The list was a collabor
BSpringer_Tides_Back_New1.jpg
BSpringer_Tides_Back_New2.jpg
 The residency and event were a celebration of the Free Will Church’s 200th year anniversary. Miller and Weick thought of their work as a kind of time capsule greeting to the church for hopefully, its future, 300th anniversary.

During the first two weeks of his residency at StudioWorks in Eastport Maine, Miller scoured the coastlines of Passamaquoddy and Cobscook bay foraging for and collecting nylon rope discarded and washed up onto the shoreline.

BJM was interested in repurposing this beautiful collected trash as a medium for art. It became a treasure hunt, dancing with the tide, searching the shores and under docks; pulling up all sizes and colors of rope out of rocks and water. He then brought his substantial haul into the Free Will Church to begin the task of untangling and sorting.

In the 1940s, DuPont and other plastic companies pushed for and began to replace hemp as the principal material for rope. Unfortunately nylon, unlike hemp, does not easily decompose, and its abundance, along with other plastics in the ocean, is very destructive to marine ecosystems.

Sperm Whale images taken by SMASS 2019

Now joined by collaborator Nathan Weick, they began to envision and prepare for an installation in the church. They worked with alchemical symbols and used the rope to sketch compositions into the vast space of the church. They used nautical knots and fishing line (which disappears in the right light), to design three dimensional geometric forms suspended throughout the church.

Working within the framework of the church’s space: the vaulted ceilings, pillars and columns, and inspired by stained glass windows and their designs and colors, five principle geometric forms were constructed.

Miller and Weick kept a daily ritual of drawing, collecting and bringing in found objects to complete the installation. They utilized the the church space by meditating, doing breath-work, as well as listening to or making music during the creative process. The church doors were open and passer-byes wondered in to hangout and engage with the work.

Employing the great acoustics, light and presence of the church, the work culminated in an opening night with live music as well as collaborative readings including a list read aloud that was inspired by our time in Eastport. The list was a collaboration with BJM, Nathan Weick, Dana Lynn Harper and Bethany Springer, who also designed the list composition below. Local musician Bill Johnson performed two songs related to tides.

The residency and event were a celebration of the Free Will Church’s 200th year anniversary. Miller and Weick thought of their work as a kind of time capsule greeting to the church for hopefully, its future, 300th anniversary.

show thumbnails